STEMM Institute Press
Science, Technology, Engineering, Management and Medicine
On the Traditional Color Aesthetics of Confucianism and Taoism
DOI: https://doi.org/10.62517/jhet.202515201
Author(s)
Zhou Heping
Affiliation(s)
Jingdezhen Ceramic University, Jingdezhen, Jiangxi, China
Abstract
Chinese traditional culture in the two base, both in cultivate one's morality, guide the thoughts of the world, but is not identical to the development of Chinese civilization plays an important role, represent the Chinese civilization of the kernel and the artistic spirit, their color concept laid the color aesthetics of the Chinese nation, the color concept of the Chinese nation, for the development of Chinese modern color art provides an important creative basis and ideological root.
Keywords
Color Aesthetics; Confucian Culture; Taoist Culture; Five View
References
[1]The Chen Shu State Point School. Rites of Zhou · rites · Book of Rites [M]. Changsha: Yuelu Book Club, 1989. [2]Yang Bojun. The Analects of Confucius translation [M]. Zhonghua Book Company, 2009. [3]Shang Lian Xia Shang Rong translation. [M]. Zhonghua Book Company, 2023. [4]Sun Enbo. On the influence of Taoist thought on Chinese color theory [J]. Beauty and The Times (bottom), 2012 [5]Cui Can. On the Philosophy View of Ancient Chinese Color Culture [J]. Yihai, 2017 [6]Sun Lin. On the relationship between color and hierarchy in ancient Chinese clothing [J]. Keyuan Today, 2010 (8): 239,241. [7]Kong Libo. Enlightenment and Nature —— A comparative analysis of the Confucian and Taoist color view [J]. Chinese Language Journal, 2013
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