Development and Dissemination of the Shangcheng Umbrella Dance in the Cultural and Tourism Industry from the Perspective of Contemporary Art Aesthetics

DOI: https://doi.org/10.62517/jtm.202413211

Author(s)

Junhui Xi, Qinyang Li, Na Shi

Affiliation(s)

Academy of Music, Henan Finance University, Zhengzhou, Henan, China

Abstract

As one of the traditional Chinese folk art forms, Shangcheng Umbrella Dance has a long history and unique aesthetic value. It reflects the profound cultural heritage of China and the distinctive cultural landscape of shangcheng. In the contemporary society, the collision and integration exist among the various cultural forms, so does the mutual influence between Shangcheng Umbrella Dance and the contemporary artistic aesthetic concepts. In order to delve into the innovative development and dissemination of local cultural tourism industries, it is anticipated that this exploration will uncover the potential value of innovative protection and inheritance of China's traditional cultural heritage within the context of modern economic development in the cultural and tourism sectors.

Keywords

Shangcheng Umbrella Dance; Contemporary Art; Aesthetic Concept; Cultural Tourism Industries

References

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