Research on the Digital Translation of Western Cubism

DOI: https://doi.org/10.62517/jtm.202513302

Author(s)

Xiaonan Guo, Xinxu Liu

Affiliation(s)

College of Art and Design, Wuhan Textile University, Wuhan, China

Abstract

Cubism, through its 'multi-perspective juxtaposition' and geometric abstraction, broke away from the traditional single-perspective painting method, ushering in a new spatial cognition model. the post-metaverse, as an evolution of the metaverse concept, integrates emerging technologies such as spatial computing, AI-generated content, and embodied interaction, providing a practical platform for the digital translation of art theory. This article focuses on the theoretical connections between Cubism and digital technology, employing methods such as art historical literature analysis, case studies, and comparative research. It aims to explore the theoretical links between Cubism and digital technology, to build a cross-cultural theoretical foundation for spatial design in the era of virtual and real integration, and to provide innovative ideas for post-metaverse architectural design.

Keywords

Cubism; Spatial View; Three Distance Method; Digital Translation

References

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