The Relationship Between "Dao" and "Qi" in Pre-Qin Aesthetics: A Perspective from Bronze - Vessel Art

DOI: https://doi.org/10.62517/jtm.202513304

Author(s)

Xinxu Liu, Xiaonan Guo

Affiliation(s)

College of Art and Design, Wuhan Textile University, Wuhan, China

Abstract

The Pre-Qin period is an early stage in Chinese history, achieving remarkable accomplishments not only in politics and philosophy but also in aesthetic thought, leaving a significant mark. During this era, various schools of thought flourished, laying a solid foundation for the development of aesthetics in later generations. In the vast realm of Pre-Qin aesthetics, the relationship between "Dao" and "Qi" is particularly noteworthy. As a philosophical concept, "Dao" in Pre-Qin aesthetics is manifested as the exploration and pursuit of the essence and laws of the universe and all things; while "Qi, " as the carrier of material culture, bears people's aesthetic concepts and life ideals. the inclusion of Pre-Qin bronze ware in the aesthetic perspective represents a logical progression from textual interpretation to the study of artifacts in Pre-Qin aesthetics. Bronze ware art, as an important form of art during the Pre-Qin period, reflects the close connection between "Dao" and "Qi" through the unity of its patterns, shapes, practical functions, and aesthetic value. This paper will explore the relationship between "Dao" and "Qi" in Pre-Qin aesthetics from the perspective of bronze ware art. By examining the historical development, stylistic characteristics, and philosophical connotations of bronze ware art, it reveals its significant position in Pre-Qin culture and further uncovers the profound implications of Pre-Qin aesthetics.

Keywords

Pre-Qin Aesthetics; Dao and Qi; Bronze Ware Art; Aesthetic Value

References

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